• Doctorate
  Systematic Musicology, University of Victoria, 1997
  The sacred cantatas of Johann Friedrich Fasch (1688-1758)
• Master's
  Systematic Musicology, University of Victoria, 1992
  A stylistic analysis of the four cantatas in Advent from the cycle "Der Harmonische Gottesdienst" (1725/26) by Georg Philipp Telemann (1681-1767)
• Bachelor's
  Music History; Principal Instrument: Pipe Organ; University of Victoria, 1990

Teaching

For non-music majors:

• Introduction to Music  (Mus 100, every fall semester; NOTE: this class will not be taught by Dr. Reul in fall 2009, but again in fall 2010))

For music majors (including Arts Education students):

• First-year survey courses (Classical-Modern; Antiquity-Baroque, Mus 202, Mus 203: fall 2008, winter 2009, respectively)
• Baroque, Classical, and Romantic period survey courses (Mus 211, 212, 213, respectively)
• Opera history (Mus 412)
• History of Performance Practice (Mus 413: winter 2009)
• Women and music (Mus 414: fall 2008, with emphasis on the 19^th century)
• J.S. Bach and his contemporaries (Mus 320)
• Schubert and the Lied (Mus 320)
• Honours thesis for music history majors (Mus 495: fall 2008, winter 2009)
• Graduate bibliography and research methods (heavy online component, Mus 494 for undergraduates, Mus 815 for graduate students)

Research

• Early music (17th-18th century); performance practice
• Musical life at the German court of Anhalt-Zerbst during the 18th century
• J.S. Bach and his contemporaries, especially J.F. Fasch and J. G. Röllig
• Organ, choral, and sacred music, including the legacy of British-Canadian organist Graham Steed (1913-1999)

Forthcoming and Recent Publications

Books

• Forthcoming: Music at German Courts, 1715-1760: Changing Artistic Priorities, co-edited with Samantha Owens and Janice B. Stockigt, to be published by Boydell & Brewer, Great Britain. 
• Musik an der Zerbster Residenz (= Fasch-Studien 10), co-edited with Konstanze Musketa on behalf of the City of Zerbst/Anhalt and the Internationale Fasch-Gesellschaft e. V., ortus, 2008.  
• The Unknown Schubert, eds. Barbara M. Reul and Lorraine Byrne Bodley. Aldershot: Ashgate, 2008. For a review copy, please contact Ashgate directly.

Articles

• Forthcoming: “Court Musicians at Anhalt-Zerbst: New Sources for Eighteenth-Century Employment Practices”, in Proceedings from the Third Biennial Conference of the Society for Eighteenth-Century Music, ed. Sterling Murray (Ann Arbor, MI: Steglein Publishing).
• “Musical life at the court of Anhalt-Zerbst: an examination of unknown primary sources at the Landeshauptarchiv Sachsen-Anhalt, Abteilung Dessau”, in Musik an der Zerbster Residenz (=Fasch-Studien 10) (ortus: 2008), pp. 197-222.

 Upcoming and Recent Presentations

• Abstract accepted - May 2010: "'Old debts from Leipzig' – New insights on Johann Friedrich Fasch (1688-1758), Hofkapellmeister of Anhalt-Zerbst", American Bach Society meeting 2010, Madison, WI
• November 2009: "'Seven Years of Musical War' at the German court of Anhalt-Zerbst – a case study”, Canadian Society for Eighteenth-Century Studies, Ottawa, ON
• October 2009: "Verstehen Sie Fasch?", lecture on the occasion of the 2009 Fasch-Geselligkeit, Zerbst/Anhalt
• October 2009: "The Kapelle as political status symbol: recruiting and retaining musicians at the court of Anhalt-Zerbst", Visiting Faculty Lecture Series, International University of Ireland, Maynooth, Ireland
• April 2009: “Managing musicians at the court of Anhalt-Zerbst during the eighteenth century”, Graduate Research Seminar presentation, University of Melbourne, Australia